Monday, April 2, 2007

Looking for Leonardo, Michelangelo, Rembrandt, and Monet

Last night, I posted to one of my Yahoo groups about my concern for the use of poor quality materials in people's art.

All these people are going into raptures about the things you can do with dried up baby wipes, paint-covered paper towels, and used-up dryer sheets in your art.

I don't see the attraction.

Here's my original post:
"I’ve been puzzling about why everyone has been using their paper towels, baby wipes, and dryer sheets as elements in their artwork for a while now and finally felt compelled to post about it. In my opinion, there are two main reasons not to do this. One is that these materials are not meant to last in the first place and I would think that you would want your artwork to last for many years. The second reason is that you really DO need to match dyes to the fibers being used and to use the right chemical agent to promote proper bonding of the dye ions to the fiber molecules. Dyeing is chemistry where the dye bonds with the fibers and paint just lays on the surface. The vinegar you put in easter egg dye is what enables the bond with the proteins in the eggshells, and the hot water you use promotes that bond. Paper towels, et al do not contain proteins at all.

"Easter egg dye and food coloring are acid dyes and will work with protein fibers such as wool, mohair, etc. (though probably not silk as only specific acid dyes work on silk despite the fact that it is a protein fiber). While these may color your paper towels, baby wipes, and dryer sheets right now, they are not the correct dyes to use with those fibers (cotton and synthetics) and will fade with time and light. I would not use these in any work you would want to last, and especially not in items for trade and for sale. Sealing/covering them with a thoroughly applied coat of acrylic medium MIGHT prevent the color from fading, but unless someone tests it, I would not use them. Because acrylic paints would seal the fiber inside a polymer layer, works made using acrylics might last for a while. However, the fibers used in paper towels, baby wipes, and dryer sheets are intentionally produced to biodegrade over a short period of time. Coloring them with dyes that are not made for those fibers without sealing them inside (which means coating BOTH sides) some sort of plastic layer, won’t make for a lasting material.

"I was a dyer and weaver in a previous life. I still spin yarn. I’ve worked with dyes a LOT and studied them for many years. Using the right dyes the wrong way on the right fibers can lead to great disappointment when the colors fade over the years. If you look at Golden Artist Colors’ website, you’ll see that even acrylic paints are rated for their ability to resist fading in normal light conditions when applied properly to an artist grade substrate. It’s the same with dyes.

"Who wants to pay $80 for a collage that won’t retain its original color for five years or that might disintegrate to dust? If we call ourselves artists, shouldn’t we be responsible enough to ensure that anything we sell or give away will last the lifetime of the buyer or recipient?"
I have had two responses thus far. One, an online friend, thanked me for reminding her about the need to use quality materials. The other, someone with whom I've never so much as emailed and therefore an unknown quantity, is here:

"I really disagree heavily with this idea. Why should our work last forever when a blackberry sold for $599.00 lasts about 2 years? How long a piece of art lasts is up to the owner and their care -- I don't believe the artist is responsible for that."

I resisted the urge to email back and ask this person why they think the disintegration of overall standards is an excuse to not care about what you create after it leaves your hands.

Aren't we all glad that Leonardo, Michelangelo, Rembrandt, and Monet didn't think that way?

Authenticity in art, being a genuine artist, the inherent craftsmanship I was taught should go with the pride of creation, and an ethic of providing quality work when you sell your art, these things matter! Whose work will still be around two or four hundred years from now instead of having spontaneously biodegraded in the landfill where it was tossed when the colors faded? My name is not Monet, but I care enough to preserve my work only if for my own amusement years from now.

This is WHY standards have become so low!

If people don’t care that the Blackberry falls apart after two years when a new technology replaces it, then that becomes the standard. Two years. If nobody cares how long their art lasts, then what will represent our generation of artists two hundred years from now? Who will be the Leonardo, Michelangelo, Rembrandt, or Monet of the twentieth to twenty-first century artists?

Oh yeah. *lightbulb going off over head, my lovelies!*

Those of us who cared will represent our generation!

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3 Comments:

Blogger Ollie said...

my wabbit is such a smart cookie...she knows her stuff, people...listen to her!!!!!
hi wabbit...it's just me, pokin my head in to see what you're doing!!!!
hahaha!!!!!!
love, ollie!!!

Monday, April 2, 2007 3:57:00 PM MST  
Blogger Aileen (Pronounced A-Leen) said...

well m'dear you made some very valid points about using quality products for pieces you intend to sell ...I lean more heavily on the sell part and feel it is definately the artist's responsibility to try to do just that! I haven't been able to get myself into using the painted babywipes and paper towels they're just too bulky for my liking. With that being said I do understand also the appeal for someone wanting to use none traditional items in their altered art its all part of the challenge and charm of altering things.

Thanks for the great food for thought :-)

Thursday, April 5, 2007 10:35:00 PM MST  
Blogger Art With Moxie said...

Thank you, you are so right. I have seen experimental art where some of the material used was literally falling off in little pieces onto the gallery floor. I myself used silk dyes to paint on watercolor paper once. The colors were vibrant and beautiful, within a year, that painting faded about 80%. I love experimenting, but we do have to be careful especially if you sell your work.

Cory

Sunday, April 15, 2007 8:32:00 AM MST  

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